Screenwriters Kenya Barris and Tracy Oliver know how to get the party started and keep it lively.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the first four hours of David Lynch's "Twin Peaks: The Return".
A report on three films from the second weekend of the Tribeca Film Festival.
A celebration of director David Lynch's filmography in anticipation of an upcoming retrospective at the IFC Center in New York.
A piece on David Lynch's unique filmmaking in light of "Mulholland Dr.'s" recent Criterion release.
A review of "The Danish Girl" and "About Ray" from TIFF.
A report on two world premieres from the 2015 Toronto International Film Festival, Demolition and Where to Invade Next.
A preview of the 40th Toronto International Film Festival
The latest and greatest on Blu-ray and streaming services, including "The Killers," "While We're Young," "Home," "Maggie," "Danny Collins," and more!
Barbara Scharres reports from Cannes 2015 on a disastrous screening of Gus Van Sant's "The Sea of Trees."
A curtain raiser for the 2015 iteration of the Cannes Film Festival.
An interview with Noah Baumbach, writer/director of "While We're Young."
A guide to the latest on Blu-ray and DVD, including "The Tale of the Princess Kaguya," "St. Vincent," and four fantastic Criterion releases.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
An interview with writer/director Theodore Melfi on "St. Vincent."
A preview of the 2014 Chicago International Film Festival.
A TIFF report on "While We're Young," "Welcome to Me," "The Duke of Burgundy," "The Vanished Elephant," and "Big Game."
A report on the Toronto International Film Festival premiere of "St. Vincent," starring Bill Murray.
NBC’s remake of "Rosemary’s Baby" and Showtime’s new weekly adventure series "Penny Dreadful." One is awful and it’s not the one with a synonym for the word in its title.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
But what really matters is the Muriels. You know, that time-honored annual movie award that is not named after Bette Davis's Uncle Oscar, but after co-founder Paul Clark's guinea pig. Throughout the month of February (the 6th through the 23rd), the winners have been announced, as you know because you've been regularly clicking on the Muriels link right here on Scanners. Anyway, you know what "Argo" can do; the Muriel voters, on the other hand, chose to give the year's top prize to what, for me, was obviously the most rewarding movie experience of the year: Leos Carax's "Holy Motors."